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b) CLASSICAL-ROMANTIC SONATA-FORMS (from Venice
Conservatory Courses of Analysis)
"Ein
Schrei aus tiefstem Herzen"
Considerazioni sugli Intermezzi op. 4 di Robert
Schumann
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2MB - Language: ITALIAN
Il Preludio del Tristan und Isolde: I
Tristan-Akkorde e la rivoluzione dominantica wagneriana
Venice Conservatory, Courses of Analysis 2014-2015
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Componenti armoniche nella tarda produzione di
Skrjabin
Venice Conservatory, Courses of Analysis 2014-2015
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117KB - Language: ITALIAN
Armonia e forma in Debussy: alcuni spunti
interpretativi
Venice Conservatory, Courses of Analysis 2014-2015
Download pdf file 251KB - Language: ITALIAN
L'esordio dodecafonico di Webern: 2 Lieder op.
19
Language: ITALIAN
Compositional
proceedings in Ligeti's Piano Etudes, Books 2. and 3.
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70KB - Download related
slideshow 16,5MB
Language:
ENGLISH
Proposta
di interpretazione formale della Grande Fuga op. 133 di L. van Beethoven
Die harmonische Sprache der Sequenza IV von L.
Berio
Download PDF file 1,5MB - Language: GERMAN
Kreisleriana, fra Hoffmann e Schumann
Download PDF file 49KB - Language:
ITALIAN
Text of presentation of the CD Schumann (Carnaval and
Symph. Etudes) Solstice SOCD158
Download PDF file 732KB - ITALIAN VERSION
(English and French versions available in the CD)
Italian program notes to Beethoven’s Sonatas
b) LEZIONI SULLA
FORMA-SONATA CLASSICO-ROMANTICA
Collection
of abstracts from Venice Conservatory courses of analysis
L.
v. Beethoven: Piano Concerto n. 5, 1. movement
L.
v. Beethoven: Symphony n. 6, 1. movement
Appendix:
Notes about the “Tempest” Intermezzo DOWNLOAD PDF
L.
v. Beethoven: Symphony n. 4, 1. movement
R.
Schumann: Symphony n. 4 op. 120
F.
Mendelssohn: Symphony n. 5 op. 107 "Reformation", 1. mov, 4. mov.
J.
Brahms: Tragische Ouverture op. 81